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  • 3.00 Credits

    Examines the internal processes associated with practice or experience leading to relatively permanent changes in the capability to perform motor skills. (Summer) [Graded (Standard Letter)] Prerequisite(s): KIN 6080 - Prerequisite Min. Grade: C Registration Restriction(s): Sports Conditioning and Performance majors only Prerequisite:    KIN 6080
  • 3.00 Credits

    This course will emphasize understanding how macronutrients, vitamins, minerals, and water are digested and absorbed for metabolism and/or anabolism and the role of diet in promoting optimal adaptation to training for recreational to elite athletes. (Spring) [Graded (Standard Letter)] Prerequisite(s): KIN 6080 - Prerequisite Min. Grade: C Can be taken concurrent with KIN 6080 Registration Restriction(s): Sports Conditioning and Performance majors only Prerequisite:    KIN 6080
  • 1.00 - 4.00 Credits

    Student develops and defends a Master of Science in Sport Conditioning/Performance Applied Research Project with at least three (3) credit hours needed over two (2) or more semesters. MSSCP candidates must be continuously enrolled in at least one (1) credit hour of KIN 6933 until their Applied Research Project is completed. (Fall, Fall - 1st Session, Fall - 2nd Session, Spring, Spring - 1st Session, Spring - 2nd Session, Summer, As Needed) [Graduate Thesis/Capstone Pass/Fail] Co-requisite(s): KIN 6080 Repeatable for Add'l Credit? Yes - Total Credits: 8 Registration Restriction(s): Sports Conditioning and Performance majors only Corequisite:    KIN 6080
  • 3.00 Credits

    In this course students learn the basic concepts and general conceptual framework for the analysis and understanding of translation. This course explores key principles, main schools of thought, and the fundamental controversies shaping translation theory. We will closely examine and contextualize multiple theoretical models, taking into account the pros and cons of each. This course provides a conceptual foundation for translation, on which you will be able to draw when describing, planning, assessing, and justifying your translation work. This course is geared towards students with an intermediate or advanced knowledge of modern and/or classical languages (2020 or equivalent and above) who might be contemplating a career involving linguistic skills including translation. (Fall As Needed) [Graded (Standard Letter)] Prerequisite(s): CHIN 2020 or FREN 2020 or GERM 2020 or GREK 2020 or SPAN 2020 or equivalent. - Prerequisite Min. Grade: C Prerequisite:    CHIN 2020 O FREN 2020 O GERM 2020 O GREK 2020 O SPAN 2020
  • 0.50 - 5.00 Credits

    Description unavailable. (As Needed) [Graded (Standard Letter)] Repeatable for Add'l Credit? Yes - Total Credits: 16 Registration Restriction(s): Intensive English Program majors may not enroll
  • 3.00 Credits

    This course is an introduction to the major features of human language. Topics include speech production, the structure of words and sentences, language change, and first and second language acquisition. Examples from a variety of languages will illustrate the commonalities and diversity to be found among the world's languages. This course is taught in English. (As Needed) [Graded (Standard Letter)] Registration Restriction(s): None
  • 3.00 Credits

    While the Holocaust (or: Shoah) is front and center in many discussions of historical violence and mass trauma, it is certainly not an independent occurrence in world history. In this course, we will examine, in addition to the Holocaust, events such as the Yangzhou massacre (1645), the genocide of Native American/First Nations peoples (culminating in the 19th century), the mass murder of the Nama and Herero peoples in Namibia (1904-1907), the Armenian genocide (1915), the Nanking Massacre (1937), the Holodomor (Stalin's campaign to eradicate Ukrainians in the 1930s), the brutal history of the Khmer Rouge in Cambodia (1970s), the Tiananmen Square massacre in 1989, the genocide in Rwanda (1994), and the ongoing conflict between the state of Israel and Palestine. Typically, readers and viewers would like to forget the past, especially the world events that make us most uncomfortable to behold. Paradoxically, our very survival as human beings is arguably predicated on our continued observation and examination of past traumas and how they form patterns of violence and abuse that circulate worldwide. A thorough coming to terms with the past will guide us in learning how to live a better and more just life. This course will provide students with theoretical frameworks and critical methods for engaging with these histories and representations of them, so that they may also apply what they learn to their own lives, careers, and development as responsible citizens who demand justice and fairness in the world. In this course, we will pursue two primary objectives. First, we will explore the historical events of genocide and acquire an historical framework for understanding the breadth and the scope of the violence committed by perpetrators. Second, we will explore the ways in which visual arts, literature and film, both fictional and documentary, have attempted to narrate the events and aftermath of genocidal violence. Central to our investigation of these texts will be issues of representation, authenticity, appropriateness, and uniqueness, the role of memory, the problems and limits of language, questions of trauma, the phenomenon of post-memory, and the development of post-traumatic identities. Throughout the semester, students will read/view primary texts, engage in classroom discussion and teamwork, culminating with a final project that allows them to explore human history, violence, and the dilemma of survival and witnessing. (As Needed) [Graded (Standard Letter)]
  • 3.00 Credits

    An overview of international film. Linked to the SUU French and Spanish Film festivals, this course will present an array of important directors from around the world. Emphases will include major directors, particular cinematographic techniques, and important movements in the history of international cinema, as well as how directors have influenced each others' work. (Spring) [Graded (Standard Letter)] Registration Restriction(s): None
  • 0.50 - 5.00 Credits

    Description unavailable. (As Needed) [Graded (Standard Letter)] Registration Restriction(s): None
  • 3.00 Credits

    Introduction to the origin of our legal system and the theories giving rise to our common law, civil law, ethics, substantive and procedural law, and statutory law systems, with emphasis on legal terminology in our contemporary legal system. Review of the court system and emphasis on our state courts and an overview of substantive law and legal assistant skills. (Fall, Spring) [Graded (Standard Letter)] Registration Restriction(s): None